THE DOMENICO DELLA ROVERE PALACE

http://www.vatican.va/roman_curia/institutions_connected/oessh/img/palazzo_roma.jpg

http://www.vatican.va/roman_curia/institutions_connected/oessh/img/rovere.jpg

THE DOMENICO DELLA ROVERE PALACE
(Official reception rooms of the Order)

Today, this “palace” is often incorrectly called the “Palazzo dei Penitenzieri”, after the name of the previous owners, the Penitentiary Fathers of St. Peter’s. In the 15th century, however, it was the residence of Domenico della Rovere, a Cardinal from the Piedmont, who belonged to the inner circle surrounding Pope Sixtus IV della Rovere. Domenico della Rovere had a brilliant career in Rome, making his name in a number of important and highly remunerated ecclesiastical posts. The palazzo was built in the late 15th century, between 1480 and 1490; the Florentine architect, Baccio Pontelli, modelled it closely on  the architectural style of Palazzo Venezia, the most important building in 15th century Rome. In fact, in the 15th century, the Palazzo della Rovere was so greatly praised and admired that Emperor Charles VIII chose to stay here when he visited Rome in 1495.

The five halls of the piano nobile, are now the official reception rooms of the Equestrian Order of the Holy Sepulchre of Jerusalem and one of them is home to an extremely important ceiling by the artist Pinturicchio and his atelier. The Hall of the Grand Master is lavishly decorated with trompe l’œil architectural features depicting a terrace looking out onto a landscape. The Hall of the Seasons retains fragments of a very rare kind of portrayal of the months of the year, each month represented by the myth that gave rise to its zodiacal sign; the scenes which have been best preserved relate to June, with a peasant making hay and the myth of Hercules and the Hydra – the origin of the sign of Cancer; October, with the bird-catcher of Byzantine legend and the myth of Orion – the origin of the sign, Scorpio; and March, with soldiers ready to set off to war.

The next hall has fine lunettes enclosing images of the prophets delivering their words of wisdom and apostles accompanied by verses from the Creed; the frieze around the exquisite gold and blue ceiling features portraits of Roman Emperors.

The most sumptuous and best preserved ceiling is in the Hall of the Demigods. This astonishing composition of 63 panels painted on board and enclosed in wooden caissons is full of creatures from mediaeval bestiaries flanked by allegorical and symbolic images drawn from classical tombs – very important evidence indeed of a culture at the crossroads between the Middle Ages and the Renaissance. Fantastic animals and monsters, mythological gods and goddesses, chimaeras (creatures half-human, half-beast) such as sirens, tritons, centaurs, satyrs and sphinxes stand out against the gilded background of the caissons; some are playing musical instruments or fighting with rudimentary weapons in a huge variety of poses.

In the left wing of the palazzo – currently occupied by the Hotel Columbus – the old refectory overlooking the hanging garden still has the ancient 15th century décor of themes based on nature, as well as allegorical figures clearly influenced by the style of Michelangelo. In the same wing of the building, some of the rooms on the second floor have frescoes painted in 1552 by the Florentine artist Francesco Salviati. The work was commissioned by Cardinal Giovanni Salviati, who owned the building for a long time and made it his residence. One of these frescoes is at the centre of the ceiling of the “Apollo Room” where, in a trompe l’œil portrayal, Apollo drives his chariot pulled by the horses of the Sun, surrounded by the emblems of the Medici family.

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~ by superbowlnyc on February 23, 2011.

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